Kauaʻi Workshop — Day 6

The last shooting day of the workshop was described by Aaron as going to be an “easy” day. In fact we did three shoots and ended up walking farther than any of the other days. But we saw some nice sights and had some good shooting locations.

Anoush Anou, St. Merrique, Shipwrecks's Beach, Kauai, 2019We arrived at the first location in Poipu on the southern tip of the island before sunrise. I think it was the first time on this trip we actually began hiking going uphill. We went up a short rise to a cliff overlooking the ocean with a nice view of the sunrise. I believe this was Shipwreck’s Beach in Poipu. Apparently this is a popular spot to watch the sunrise as there were quite a few people going up there. There were some nice secluded nooks to shoot in, however, we periodically got some looky-loos peeking in on our models. We got some nice shots overlooking the ocean and some nice rocky environmental shots. This beach is at one end of the Maha’ulepu Heritage Trail which goes a few miles along the beach. Merrique, Kauai, 2019Rather than walking it, we drove to our second stop, which was near the Makauwahi Cave and Gillin (Mahaulepu) Beach. We basically hiked around a bit, saw a tortoise reserve, and got to the beach. We did a little shooting there, but the sun was getting high and there were a lot of people around. One the way back we went through the ancient cave which was kind of interesting.

After our morning’s activities we went and visited Aaron’s gallery in Poipu. It was quite nice and we got to see some of his art prints that he sells. Afterwards we had a nice relaxing lunch at a restaurant in the little shopping center where the gallery is located.Merrique, Anoush Anou, Kauai, 2019

In the afternoon, we went to our final location in Kawaihau not too far from where I started my adventure in Kapaʻa, hiking along the Kapaʻa stream, taking us to Hoʻopiʻi Falls. The beginning of the trail abuts private land, and there are markings that we were going along sacred lands. The trail was fairly level for the most part, but made challenging again due to the ruts from rains and collapsed trees across the trail. We did one shoot in the river down there, and ended up finally shooting in the falls. It was dark by the time we headed back. I thought I had escaped the mosquitoes on this trip, but at the last location, after working in the river which probably washed off my repellent, I got eaten alive with a dozen bites.
Anoush Anou, Merrique, Kauai, 2019After the shoot, and after a long day, we made our way back up to our Princeville house where we had to get packed and prepared for our travel day back home. We cleaned up the house, then started dropping off folks who were traveling back. I was sad to leave the group as you build up quite a comraderie with folks living and trekking together for a week. At the time it seemed pretty physically intense, but I’m glad I did it and got to see things I’m sure I never would have any other way.
(17,600 steps, 53 floors, 7.9 miles)

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Kauaʻi Workshop — Day 5

Anoush, Anahola beach, Kauai, 2019Day 4 of the workshop was a much needed rest day, and we just relaxed and reviewed some of our images from the previous two days of shooting. On Day 5 we again got up early to beat the sunrise, and headed not too far from Princeville to Anahola Beach on the north east side of the island. We caught the sunrise and shot there for a couple of hours then headed to the next location. On the way we stopped at a local joint for some refreshing berry smoothies.

Anoush, Kilauea, Kauai, 2019The next location was on some amazing private land near Kilauea that was owned by a friend of Aaron’s that had a cool waterfall on it. When we got to the waterfall it had some fallen trees from recent storms, and some of the guys felt obligated to clear them out to make a cleaner shot. Eventually we shot around the waterfall, and further down the stream, and even played with smoke bombs to add some drama to the shots. It was actually pretty cool. We spent about three and a half hours shooting here, and as we were leaving the caretaker, who knew Aaron, offered us some fresh squeezed orange juice from trees on the property. It was great, particularly after all that shooting. After that, we headed back to the house to rest up a bit before the evening’s shoot.

Queens Bath, Princeville, Kauai, 2019The last shooting location of the day, the Queen’s Bath was within walking distance of our house. As we made our way over there a security patrol unfortunately prevented us from going down the easiest route, and we were forced down another steep, slippery, muddy path to the rock cliffs at the bottom. There were again warnings of life threatening hazards from the waves. It was a bit rainy and grey, but we persevered and got some cool shots. We shot along the rock cliff and eventually got to the “bath.” The Queen’s Bath is a green tidal pool perched atop the rock cliffs. It must be amazing in good weather. We got some interesting shots, and Aaron even got into posing with Anoush Anou. We made our way up to the top in the dark by a much smoother path than we came down.
(10,150 steps, 23 floors, 4.6 miles)

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Kauaʻi Workshop — Day 3, a challenging day

Merrique, Weimea, Kauai, 2019The second shooting day of the workshop turned out to be a big day. We got up early do drive from our house in the north around the island to Weimea Canyon that starts towards the southwest part of the island and works its way back north. The original goal was a challenging hike that started at the Kalalau Valley overlook worked it’s way towards the ocean and the Nā Pali Coast, which Arron termed having a great bang for the buck. When we got to the top it was cold, raining hard, and foggy. So we drove back down a little way and found a nice little barricaded area that had a scenic cliff overlooking the Weimea Canyon. We shot there for a little less than an hour, which would have satisfied my needs, but then Aaron decided we should go try the original site again to see if the weather had let up.

Merrique, Anoush, Kalalau Valley, Kauai, 2019It was pretty grey, but the rain had let up and we decided to proceed ahead. The trek again began with going around a fence with some menacing hazard warnings. The path was steep, muddy, pitted, and very slippery from the recent rain. My compromised back along with my sub-optimal fitness made me use a lot of energy to get down. It never really leveled out, but after about an hour we eventually got to a sloped open area were we were able to stop, rest, and do some shooting. This field provided some beautiful views of the valley as well as the ocean in the distance. I can only imagine how it would look on a clear day. We hung out at this first stop for about 45 minutes, then we moved on to what Aaron termed the elephants graveyard because of the interestingly shaped fallen trees. Many of us were already toasted from the hike to the first stop, and while the second hike was a bit more level, it was still muddy and slippery. It also had started raining again, so we didn’t get shooting again for about an hour and a half from the first stop. We got some interesting shots in and around the interestingly shaped trees, then we started to make our way back up and out. I left a little earlier than everybody else since I seemed to be going slowest. Going up was easier, and luckily Aaron helped me with my pack for the last steepest bits. I survived and got out uninjured (but not un-muddied). I’m glad to say I got down there, but I’m not sure I’d do that again.

Kauai, Merrique, sunsetDriving home, Aaron made an improptu suggestion about a cool tree we were passing as it was near sunset. It turned out to be a very cool sunset and I got some amazing pictures there. After than, we decided to have dinner in Lihue at a brewpub where Aaron knew the owners. It was good, but I felt a little sheepish as I was filthy from mud.
(10,100 steps, 54 floors, 4.5 miles)

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Kauaʻi Workshop — Day 2

The first shoot of the workshop was on Kauapea (Secret) Beach on the northern part of the island, not far from the Kilauea Lighthouse. Arriving pre-dawn, we made our way down (what I would come to discover was a typical) steep rutty muddy path down to the beach area. Our trek was in pre-dawn dark, and I was aided by a head lamp.

Anoush, Kauapea beach, sunriseThere were interesting rock backdrops with great texture and tidal pools and great ocean views along with the beautiful morning light. I started shooting with Anoush and got some great shots. The group moved up the beach in one direction, then back and to the other direction, finding various beautiful shooting locations. I got a chance to shoot with my ultra-wide lens to create some interesting images, and the morning ended with the models in a pool in the ocean backed by a rock break, which provided some really cool shots. My original expectation for the morning shoot was going to be about 3 hours, but we ended up being there almost 5 hours, and that was just the first shoot of the day. Climb back up the path was a chore, but I got some great shots.

cliff hazard signWe returned to the house to have some lunch and rest up a bit. In the later afternoon we headed to another beach behind some cliff side apartments near where we were staying. Upon approaching the fenced cliff edge behind the apartments, we came upon the first of many signs we’d see at the start of our “paths” to our shooting locations, decrying the hazards of the way ahead. These steep trails would have been more manageable for me had my back been well, and had I not been carrying a heavy pack of camera gear. I have to say, I didn’t always feel safe and comfortable, but I made it out alive and mostly unscathed. We made our way down some sketchy paths and along rock cliffs to some nice locations on the sea cliff. Anoush Anou, cliff, sunsetI also got some really nice sunset shots at this location. We shot at this location for about 2 hours, then made our way back up the path in near-dark.

We headed back to the house for a late dinner then after cleaning up and backing up pictures, I collapsed for the night for some well earned sleep.
(11,400 steps, 35 floors, 5.2 mi)

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Kauaʻi Workshop — Day 1

The primary reason I came to Kauaʻi was to attend The Landscape Nude – A Destination Art Nude Workshop, one of a series of photography workshops put on by Aaron Feinberg, a Kauaʻi based fine-art photographer. The five-day workshop had four days of shooting with a rest day in the middle, and described the shoot venues as requiring “moderate, but short hiking to get to some locations.” This last phrase set my expectations for how much physical exertion I would be doing waaaayyyy below what turned out to be required, and exacerbated by my less than optimal back health it was quite a challenge … but I survived. There were three photographers including myself, and we were joined by two outstanding models, Anoush Anou (who I’ve worked with before), and St-Merrique.

The first day didn’t include any shooting and was basically just gathering up the group and ultimately making our way to our group house in Princeville on the northern edge of the island. It was a very nice house, with each photographer getting a bedroom, and the models sharing an upstairs bedroom accessed by a spiral staircase. I lucked out since I was the first to sign up so I got the master bedroom.

Despite the physical challenges, I had a great time on this trip. I came with pasty white skin and spotless white Nikes, and I went home with a bit of a tan and shoes thoroughly filthy stained with mud and water. I got to experience sun, sunrises, sunsets, rain, sand, mud, mountains, cliffs, ocean, beaches, forests, rivers, waterfalls, and mosquitoes, and I got to collaborate on some great photographs with some very creative people.

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Kauaʻi, Hawaiʻi

Lava Lava Beach ClubI began my first visit to Hawaiʻi with a few day stay in the southeast coastal enclave of Kapaʻa. I stayed in an Airbnb right near the beach as well as some decent restaurants and tourist shops. The island of Kauaʻi really is quite lush and beautiful, and I understand why it is called the garden island. Leaving Livermore in the chilly rain it was nice to arrive in the quite mild tropical weather.

I didn’t have a car, but I was able to do some local exploring by foot, and I walked the beach and even waded in and felt the relatively warm sea water. The area I was in was clearly a tourist nook, and it seemed like a good place to just come, relax, eat, and enjoy the views. A few days before I left for the island, I had some soreness in my lower back, which wasn’t bad, but which wasn’t helped by sitting on a plane for 6 hours. It didn’t bother me terribly, but after hiking around, and hiking the thick sand beach, on Friday night just as I was about to ascend the stairs to my apartment, my back seized up (I think sacroiliac). At least I was able to see a beautiful Hawaiian sunset. Kapaa beach It was touch and go just getting up the stairs, and I ended up basically spending the next day in bed, trying to relax my back, managing the pain, and trying to get it recovered enough to be able to survive the upcoming workshop. By the time Sunday rolled around and I met up with the workshop folks, I could move around, but still wasn’t feeling great. It was a challenge just rolling out of the bed. Nevertheless, I was glad I came to this beautiful spot.

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Fabrics Workshop

Dasha in white fabric, 2019During Friday night rush hour in the rain, I again trekked up to The Lighthouse Studio to attend an interesting photography workshop Fabrics and the Nude. The featured model was Dasha, with whom I’d shot previously in Utah, and with whom I’ll be traveling on two tours later this spring. The workshop was taught by Bay Area photographer and photography educator Len Cook, and there were seven photographers attending. There were about 7 different setups using different lighting and different fabrics, and each of the photographers had a chance to shoot with each setup. In once sense the logistics was like a mini-version of Holly Randall’s workshop, which due to the constraints of the setup (prescribed exposure, etc) didn’t trill me, but from the perspective of just giving me a bunch of new ideas it was good. It was best viewed as a smorgasbord of inspirations for new shoots. Apart from the learning, I was also able to get a bunch of nice shots. It was definitely worthwhile, and it was just what I needed to get me out of the house and break my photographic stasis.

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New Year

DN with xmas beardAnother year has come to a close, and this one is a bit different than many that have preceded it. I got through Christmas and all the December holidays without getting any cold or flu, which I guess is attributable to getting a flu shot and not having contact with sick people. I’ve reported on this the last few years because of several years in a row where I spent the holidays suffering from some illness. Despite this, I do seem to have spent much more time at various doctors than I would like. It sort of felt like I was getting my 60k mile tune up. Eyes, root canals, physicals, etc. Hopefully that’s going to taper off quickly in the new year.

This is the first year I’ve spent most of the year retired. I’m happy not working, but I tell people it’s a process adjusting to retirement. It’s interesting how quickly you become part of the faded past at your place of employment after you retire. I’ve been back inside a couple of times for social events and the retirements of other colleagues, but the connection is fading fast.

I still don’t think I’ve completely wrapped my head around the freedom of not having a job constraining my schedule even though it’s been almost a year since I had to get up for work every day. I’ve definitely spent more time on my photography hobby, which was part of my retirement plan, improving my skills and taking lots of pictures. I managed to take two photography specific trips built around tours and workshops, and I arranged my first model shoot by myself. I’ve also been working on improving my editing skills with Lightroom and Photoshop. I’ve already got three trips planned for this year.

I also kept up my attendance of live theater, and Shakespeare in particular, but not significantly more than when I was working. However, I did see some good productions. That’s something else I should keep pursuing. I’ve got my regularly scheduled festivals pinned down for the year, but I’m also keeping my eyes open for other offerings.

I’m not one for making New Year’s resolutions, but based on plans already in place, I’ll have some good trips, have some good photographic adventures, and see plenty of theater. There’s room for improvement in improving my fitness and maintaining my health, better sleep habbits, and I need to more actively pursue my social connections. Maybe I’ll make a plan to visit some of my far away cousins that I haven’t seen in a while, and maybe I’ll make it to Europe this year, which I still haven’t done since setting that as a goal in high school. Lots of opportunities are out there, and I need to be proactive about pursuing them.

Posted in Journal, Life

New Photography Blog

Recently Tumblr changed their TOS, and as a result many of my images (at least the fine-art nude images) have been blocked. While I respect their right to operate under whatever TOS they choose, their failure to distinguish between tasteful art nude images and hardcore images resulted in a massive purge that throws out the baby with the bath water. As a consequence, I can no longer use Tumblr as a venue to share my uncensored photographs. I’ve decided to just develop my own site as I don’t expect high bandwidth demands, nor huge space requirements. My new archive/sharing site is now set up at

djnphoto.nikkel.org

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Solo Shoot

Devi 2018I finally took the training wheels off and arranged a shoot with a model at a studio in Oakland. An experienced model, Devi, had arranged for a shooting day at The Lighthouse Studio, but I didn’t manage to get in on that event. However, the studio people put me in touch with Devi directly and we arranged for a time. Normally I’m very flexible, but this particular week I had several medical appointments, and Devi’s schedule was a little complicated, so we ended up shooting for 2 hours in the evening.

Devi 2018I was a bit nervous, both because this was the first time I was doing this on my own, and also because I wasn’t sure I could think up creative things to do for two hours. I tried to prepare, re-watching some tutorials, and preparing a cheat sheet of shots to give me ideas should I get stuck. I made my way to Oakland, to the studio not far from the MacArthur maze and we shot. It went pretty well. I got some nice shots. I think next time I should try to identify a theme to provide some structure, but overall it went well. The studio had studio lights with a big softbox, which was new for me. This was interesting, but I also think I’d like some harder light. The situation was pretty chill, with the owner Candace walking in and out, and her dog running around, despite the fact that we were shooting nudes. All in all it was a good experience, and it gave me some confidence to try and do this again.

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