If day 2 was hacienda day, then day 3 was water day. Our first shooting location of the day was in a cenote. I’ve seen pictures of them for years, but never visited one in person before. We went to Cenote Chelentun in the little town of Cuzama. It was a particularly special location as the cenote was about a mile from where we parked, and we were transported to the cenote on horse drawn rail cars. These small horses trotted along the rail line with amazing dexterity. The cenote itself was very beautiful with amazing colors in the blue green water that took on different character as the light from above changed position. The water was accessed down a somewhat sketchy steep stone staircase that went down 30 or 40 feet. The working space was fairly confined, so the 11 of us were kind of working on top of each other, but I was still able to get some interesting and beautiful shots. After two or three hours of shooting, we got some lunch and returned to our hacienda home for a little rest.
Our second location of the day was at a beach in northern Yucatán near San Crisanto, where we had a large cabana and a private area of beach. After my workshop on Kauaʻi I thought maybe I’d seen all the beaches I needed to for a while, but this provided some interesting places to shoot (and some nasty stickers), and of course we had a different group of models to collaborate with. I was able to fulfill a desire to apply some of my recently learned lighting techniques, and I got some nice beach sunset shots with Dasha (with Dima’s umbrella assistance) that were of an iconic style and a bit of a milestone for me.
After the sun had set they had arranged for some local fishermen to provide a traditional dinner for us at the cabana, and we got fresh fish, chicken, rice, … It was a great way to finish up the day.












The second day of the tour was a full day of haciendas. The first one was discovered by Dasha during a trip where they were scoping out cenotes as she was trying to answer nature’s call. It was a beautiful property that was in the process of being restored. It was pretty much open to the elements, but had a beautiful layout and various interesting rooms. The laborers seemed to find plenty of excuses to be around the area where we were shooting the models.





The second shoot was in a fairly remote area down a long bumpy dirt road. The owner of Hacienda Bolontunil is trying to 



For the second time this month, I set off on another big photography related travel adventure. This was my first trip out of the country in almost 4 years, and the first time I’ve been to Mexico in more than 20 years. It was my first time traveling to the state of Yucatán, Mexico, and I was able to get a taste of the true Mexico away from the major tourist locations. I had a long travel day, leaving home at about 5 am, and arriving in Mérida after 7 pm. I hadn’t realized it, but there were three other guys on our tour that came in on the same flight I did. It took a day to get down there, and I came in a day early (as did everybody else) so I could recuperate before the tour kicked off.
I joined up with the 



Day 4 of the workshop was a much needed rest day, and we just relaxed and reviewed some of our images from the previous two days of shooting. On Day 5 we again got up early to beat the sunrise, and headed not too far from Princeville to 

The second shooting day of the workshop turned out to be a big day. We got up early do drive from our house in the north around the island to Weimea Canyon that starts towards the southwest part of the island and works its way back north. The original goal was a challenging hike that started at the Kalalau Valley overlook worked it’s way towards the ocean and the Nā Pali Coast, which Arron termed having a great bang for the buck. When we got to the top it was cold, raining hard, and foggy. So we drove back down a little way and found a nice little barricaded area that had a scenic cliff overlooking the Weimea Canyon. We shot there for a little less than an hour, which would have satisfied my needs, but then Aaron decided we should go try the original site again to see if the weather had let up. 


We returned to the house to have some lunch and rest up a bit. In the later afternoon we headed to another beach behind some cliff side apartments near where we were staying. Upon approaching the fenced cliff edge behind the apartments, we came upon the first of many signs we’d see at the start of our “paths” to our shooting locations, decrying the hazards of the way ahead. These steep trails would have been more manageable for me had my back been well, and had I not been carrying a heavy pack of camera gear. I have to say, I didn’t always feel safe and comfortable, but I made it out alive and mostly unscathed. We made our way down some sketchy paths and along rock cliffs to some nice locations on the sea cliff. 
I began my first visit to Hawaiʻi with a few day stay in the southeast coastal enclave of Kapaʻa. I stayed in an Airbnb right near the beach as well as some decent restaurants and tourist shops. The island of Kauaʻi really is quite lush and beautiful, and I understand why it is called the garden island. Leaving Livermore in the chilly rain it was nice to arrive in the quite mild tropical weather.
It was touch and go just getting up the stairs, and I ended up basically spending the next day in bed, trying to relax my back, managing the pain, and trying to get it recovered enough to be able to survive the upcoming workshop. By the time Sunday rolled around and I met up with the workshop folks, I could move around, but still wasn’t feeling great. It was a challenge just rolling out of the bed. Nevertheless, I was glad I came to this beautiful spot.