The Last Hamlet (at least for a while)

Hamlet 2017 A.C.T.Tonight I took BART and trekked into the city to see what will likely be my last play of the year, Hamlet at A.C.T. This is the 3rd production of Hamlet I’ve seen this season, maybe 3rd-and-a-half if you count Rosencrantz and Guildenstern. I wouldn’t normally have gone, but this was a chance to see a play at A.C.T., where I’ve never been before, and also I had received an add that had a quote referring to the star, John Douglas Thompson, as “our greatest classical actor.” It’s a bit of a trip, but it was fun to go into the city, which I don’t do enough.

A.C.T.’s Geary Theater is beautiful. I was down in the orchestra section about 5 rows back in the center. The staging was fairly simple but effective. The acting seemed to really emphasize the diction of the language, so some of the story came out clearer. The lead, while a bit older than the typical Hamlet did a very good job. The production didn’t really grab me with any emotion at the end, but overall I liked it. It certainly didn’t bore me even though it’s the 3rd time I’ve seen this story in a few months. I’m glad I made the journey, but I’m ready for a bit of a rest from all the terrific plays I’ve seen this season.
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Measure for Measure

Measure for Measure, CSF17Tonight I saw the last play of this year’s CalShakes season, Measure for Measure. I hadn’t seen this play in a long time, and this was a pretty good production. It was a pleasant evening for almost October, and I was on my own this time. Due to some scheduling issues Bill and Andy had switched nights. My seats were also double booked by a Chevron group, but it all worked out ok. Interestingly, I also met an older retired guy who was there with his wife, who’d been coming for decades, and who had just been up in Ashland, and it turns out he had worked at the Lab. He then introduced me to another retired Lab guy who had also been on assignment in Washington. Small world.

The play is a bit of a morality play, or about being too moral without humility and mercy. It was done in partnership with Santa Cruz Shakespeare. I enjoyed it and am a bit sad for the season to be ending. I managed to cram one more Shakespeare into this year, but it’s still a few weeks off in SF.
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The Odyssey

Odyssey, OSF 2017Superb! This has been quite a week+ of wonderful plays at OSF, and it ended with an outstanding production of Homer’s The Odyssey. It was the longest play of this trip, but there’s a lot of story to pack into one play. Despite being long, and a cold night, it was a terrific evening. Catching Odysseus near the end of his epic journey home, we see many of the events as retellings of the tale. We see many of the events in flashback, then he finally gets to make it home, and kills all the ill mannered suitors of his wife. It was really well done, cleverly adapted, and the acting as usual was great. One particular scene stand out as Odysseus and his crew must pass the Sirens. They were a group of women all dressed in red sitting in a row of chairs in unison saying all sorts of things that men stereotypically love to hear from women. It was very funny.

I don’t think I’ve ever seen a bad play at OSF, but sometimes there’s a range from just good or ok to a few that take your breath away. On this trip every play was really good. Every one was outstanding, and the trip ended with wonderful one.

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Merry Wives

Merry Wives of Windsor, OSF17Tonight I saw a very enjoyable production of Shakespeare’s The Merry Wives of Windsor in the outdoor Elizabethan Theatre. It was very funny and comical as expected. Falstaff, the supposed super-randy old man was played by a woman, K.T. Vogt. I’m always a bit skeptical of that to begin with, but she was very funny and carried it off. The production was infused with a lot of music, basically a lot of snippets of 80’s pop hits. It was both funny and fun and really added to the play.

It was a pretty cool evening but luckily I had on lots of layers. I thought we’d missed the bad weather till almost the second the play was about to start it started raining pretty good. It only lasted about 10 minutes. Then it started sprinkling again around intermission. Some of the actors even referenced the rain and some of the audiences rain costumes. We lost much of the row I was in at intermission, but it wasn’t really too bad. A very enjoyable play to see despite some challenging weather. It’s really hard to believe I have only one play left this trip.
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Beauty and the Beast

Beauty and the Beast, OSF17Tonight in the outdoor Elizabethan Theatre I saw an enjoyable musical, Disney’s Beauty and the Beast. It was raining lightly at the beginning of the evening, but it pretty much ended by the time the play started. The singer actors were great, and the fantasy costumes were very well done. The transition to the cursed castle was fun, as was seeing the inhabitants slowly becoming more transition to their inanimate objects. An enjoyable production for my first visit this summer to the Elizabethan.
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Shakespeare In Love

Shakespeare in Love, OSF 2017Fantastic! This was the U.S. premiere of the play that came out of the film of Shakespeare in Love. This was a wonderful production. The story lovingly plays with words from Shakespeare’s plays. It’s very comedic and romantic, but also has some unhappy undertones. It also features the development of Romeo and Juliet as the play-within-the-play, and that brought in those elements of poignancy and sadness and tragedy. The cast was terrific and it was a very enjoyable play to watch. As a side note, I ended up sitting next to Goeffrey Kent and his wife, the actor/fight director I’ve seen in several Colorado Shakespeare Festival productions. The lead actress in this play was a friend of theirs, who’s also been in a number of the CoSF productions.
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Hannah and the Dread Gazebo

HannahAfter two full days of wonderful productions of Shakespeare plays, I saw my first non-Shakespeare play, again in the Thomas Theatre. It was another modern Asian immigrant story, as was last years Vietgone, but this one was from a Korean perspective. It was Hannah and the Dread Gazebo. It was comedic but ultimately very moving dealing with family and culture. It even got into the North/South Korea tensions, the DMZ, and had an appearance of the ghost of Kim Jong-il. I was very moved at the end, but not quite sure exactly why, except there was resolution of family connections and clarity of the character’s cultural history. The staging was clever and sparse, and they used the Thomas in a 3-sided configuration, at one point dropping down the wall of the 4th side to provide an interesting, surreal, place. A very enjoyable play.
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The Day of Henry

Henry IV, Part 2After a brief 3 1/2 hour break, this evening I returned to the Thomas Theatre, and saw OSF’s production of Henry IV, Part 2. This was a lot of Henry IV in one day, but it was a great way to see the full arc of the story, and it was another very good production. While the two parts had different directors, they used the same principle actors, and the staging was the same. Falstaff was again wonderfully played by the understudy, and interestingly replacing him in the roles he would normally play was Ted Lange of Love Boat fame. It’s great to see the growth of Hal to King Henry over the course of the two plays. It’s also sad to see the arc of Falstaff who starts out as prince Hal’s bad influence buddy, and ends up banished from his presence. I kind of feel the play of Part 2 is a bit weaker, and I kind of understand why it’s performed less, and why CalShakes did that hybrid version. So glad I got to see these plays together. It was really good. Seeing this also removed the asterisk on my canon completion as this was my first complete production of Henry IV, Part 2. A bit like binge watching TV series, I wish I could go to Henry V tomorrow.
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Henry IV, Part One

Henry IV, Part 1This afternoon I saw a terrific production of Henry IV, Part 1 in the intimate Thomas Theatre at the Oregon Shakespeare Festival. There was great contrast between the serious political intrigue scenes and the comic Hal with Falstaff scenes. It opened in what appeared to be a go-go bar/strip club type establishment, were the young Hal was thoroughly debauched. The acting was suburb. Jeffery King was Henry IV and he was powerful. The actor playing Hal was terrific, and the actor playing Falstaff, Tyrone Wilson, was an understudy who came in and did a great job, as much of the play rests on him. This play show the arc of prince Hal and his growth from a wild kid to someone who begins to take on his adult responsibilities. The production was terrific, and a lot of fun, and was very moving as well. A great start to the day of Henry.
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A Different Julius Caesar

Today I embarked on another Shakespeare adventure in Ashland at the Oregon Shakespeare Festival. Getting started about an hour late I made my way up, passing though a lot of hazy smoky country in northern California ultimately getting to Ashland, which at the time seemed to be smoke free. After picking up my tickets and getting settled into my hotel, I headed over for my first play of the series in the Bowmer Theatre.

OSF 2017 Julius CaesarThe first play in my week of theater was a production of Julius Caesar, the second I’ve seen this summer. It was a more abstract staging than the more classical one put on by CoSF. The staging was pretty sparse, representing a decaying Rome. It took me a while to warm up to it in comparison to CoSF’s, but ultimately it got me, particularly towards the second half. The fight/battle scenes were actually very interestingly choreographed, being more like a dance than a fight, initially only showing one side or the other going through fight moves. The ending was very powerful making a abstract commentary on the never-ending conflict and fighting. A good way to start out my week
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