Twelfth Night

Twelfth Night OSFIt seemed like so many plays to see when I first got here, but it’s flown by and I have only one more to see tomorrow night. This afternoon I saw a very funny production of Twelfth Night. [Trailer] This was really played for laughs, but was very cleverly done. The play was set in Hollywood of the 1930s. It made for some interesting set pieces. Again, it seems to go without saying here, but the acting was outstanding. One interesting dilemma that was resolved by the setting was that the twins were played by the same actress. Not an issue till they come together at the end. As it was Hollywood, they dropped a screen, and as the actress walked behind it, you saw video of two of them. The timing was impeccable as she would walk out from behind the screen, and the images would become just one. Several other interesting blocking/choreographic aspects of the play. Very fun, and it ended with a Busby Berkeley type song and dance number that brought the audience to their feet (deservedly). A very fun play to see.

An interesting aside, as I was standing around outside the play, the lead actress came out and was recognized by some folks (one who had a service dog that was in the audience; apparently she’s a big dog lover, and wanted to take a selfie with the dog). Then later, still standing around, I saw 3 more actors who I’ve seen run into each other and have a big reunion. It’s kind of funny to see these impressive actors come out in street clothes and be very much just like the tourist crowd.
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Hamlet

Hamlet OSFIn the morning of my 6th day in Ashland I did a little exploring and took a drive up Mt. Ashland experiencing some nice mountain scenery. In the evening I attended OSF’s exciting production of Hamlet. It seemed both traditional and innovatively modern. [Trailer, Notes] Music played a big part in the production, mostly provided by a Doom Metal style single performer. The stage was stark black, and the character’s costumes were all monotone white, grey, and black, except for the “players” who provided a stark contrast appearing in very colorful garb.

Hamlet OSFEven though it’s a long play, it flew by. The lead was played by an OSF mainstay, and he did a great job. His performance was intense and manic. The rest of the cast, and the secondary characters, were great too. The presentation of the ghost was interesting, sometimes zipping around quickly, which isn’t what you usually see. It was one of those plays that part way through I wash wishing I could watch it again. The second half didn’t quite maintain the frenetic energy of the first half, but it ended very movingly. The uber-classic Shakespeare tragedy, where most of the characters are dead at the end.
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Richard II

Richard II OSFTonight I saw OSF’s production of Richard II. [Trailer] This is basically as bread and butter of a Shakespeare history play is it gets, starting off the Henriad sequence of plays. This was a wonderful production, carried off by really strong acting. The lead actor, was extremely effective as the peevish early Richard, then taking him tragically through his downfall. All the rest of the cast was extremely strong too. The stage was very plain, just solid black decking, with panels that were periodically pulled up to reveal earth, rocks, water. Another really well done production here at OSF. Everyone has been solid so far this week.
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Great Expectations

Great Expectations OSFAfter a break day (where I totally wussed out of going to Crater Lake), I saw my next play in my OSF adventure, Charles Dickens’ Great Expectations. I wasn’t quite sure what to expect, but was somewhat excited knowing the lead Pip was played by Benjamin Bonenfant, who was so impressive the last few years at the Colorado Shakespeare Festival. The staging was managed well; a very plain stage, but by moving people around, and interspersing narration, it moved along well. Initially I though the story would be a bit bland, but the tension slowly builds as whether or not Pip will succeed or succumb to his ambitions. It was quite moving in the end. [Trailer]

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Time on Tomorrow :)

Timon of Athens OSFOn my second day in Ashland, I saw one of the last two plays of Shakespeare’s canon that I’ve never seen before, Timon of Athens. Not quite knowing what to expect, I was treated to a powerful, entertaining tragedy. [Trailer, Interview] It’s basically a tale of someone dealing with the loss of fair weather friends (with a parallel in the state’s relation to citizens), who starts out overly generous and ends up losing his faith in humanity. The production was innovative and stylized. There was a musical band that was interjected periodically throughout the play with popular and text-relevant music that was very good. The acting, led by Anthony Heald, was great. He was particularly noteworthy as the lead, particularly as he spent most of the second half of the play in his underwear wallowing in garbage that covered the stage, representing his fallen status, household, and mental outlook.

Timon of Athens OSF, Anthony HealdThis was allegedly Karl Marx’s favorite play. It deals with the emptiness of money and wealth, and friends who are only friends when Timon’s generosity is benefiting them, but who aren’t there when he needs help. A day after I saw it it’s striking me even stronger than when it finished. Even though it dealt with serious ideas, and it’s a tragedy, there was a lot of comedy (at least on the surface) in the delivery early on. I don’t know what a standard production of this play would be like, but this particular one was striking and powerful. I’m not sure why it’s produced so infrequently. It makes me want to see it again. … and now only one left in the canon.
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Vietgone

Vietgone OSFForcing myself out of bed earlier than I wanted to on a Saturday morning I undertook the 6 hour trek up to Ashland for a week of what will hopefully be great theater. This evening I saw the first play from the Oregon Shakespeare Festival, a contemporary piece called Vietgone. It took place in the smaller, intimate, Thomas Theatre. It was billed as a comedy, but it was really much deeper, following how the playwright’s parents got together after meeting in an American refugee camp after the fall of Saigon.[Trailer] It was very well done, highlighting the cultural differences between the Vietnamese and Americans in humorous ways. But it also poignantly showed the impact of the war and the fall of Saigon on the Vietnamese people, as well as a fresh perspective (from a Vienamese point of view) of the value of having tried to prosecute the war. A very interesting and moving first play of the week.

Vietgone OSFOne fun aspect was a a prop element being a 1970s era Yamaha enduro. An interesting surprise, I ran into Kim Cupps who was sitting in my row. This was her last of 5 plays on a visit with her family. Small world …

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You Never Can Tell

You Never Can TellTonight I saw the next play in the CalShakes season, George Bernard Shaw’s You Never Can Tell. This was an fun farcical play with some hardcore feminist/socialist views on women, marriage, families and children. The setting was transformed to a seaside resort like Santa Cruz. The set was fairly simple, but effective. The cast was lively and engaging, and it was an enjoyable play to watch.

It was a coolish night, and I was joined by Bill and Andy. Another enjoyable evening of theater.

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Tempest

LSF TempestI saw the last play, on the last night of their season, of the Livermore Shakespeare Festival. It was The Tempest. It was a solid and enjoyable production. Two years ago I saw 3 productions of this play in one summer, and I was kind of burnt out … but tonight was good. It was a pretty traditional setting with some added songs specific to this production.

I joined Bob and Blanca at the play.It was a nice, cool night for August in Livermore. Another nice night of theater among the vinyards.
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Fathersland

In my last full day in Colorado, I decided to venture out to the eastern plains where my father grew up, and where my father, grandfathers, and great grandfather farmed. Getting out there a ways east of Denver I have to agree with my maternal grandfather’s reported assessment when he first visited out there, namely that he’d never been anywhere he could see so far, and see so little. It’s definitely flat with some gradually rolling hills, but it’s dry and somewhat barren. It’s not like the bountiful central valley of California, but there were some periodic fields with corn growing, but mostly a lot of empty space. Maybe I just missed the growing season.

Getting out towards Joes, it seemed like the small towns out there are somewhat desolate. While Cope still had a Memorial Park downtown, many buildings also appeared to be abandoned or in great disrepair. One humorous anachronistic sight was at the corner of the sparse park, in a town that appeared to have no one around, there was a telephone booth. Getting to Joes, I stopped near the Post Office, which seemed to be different from the one attached to Mary Martin’s house. I then went to the cemetery where so many of my ancestors are buried. It’s still being well kept by the Mennonite Brethren church; two sets of grandparents, and one pair of great grandparents are buried there. It was nice to see it kept up considering the state of the surrounding communities. Maybe I just didn’t see the real community since it’s probably mostly people on farms, and according to google, Joes is a census location (population 80) and it has a post office, but there were no stores on the main drag. I guess this was a graveyard-heavy trip since I also visited my folks graves earlier in the week. But still a good trip with lots of good theater as well as a little family history.

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Henry VI, Part II

Tonight I saw another of the Colorado Shakespeare Festival’s original practices productions. It was Henry VI, Part II. Like last year it was interesting to see this rough production where the actors have less preparation, and the stage is very sparse, and a lot of audience participation is encouraged … a bit too much participation for my taste, but it wasn’t too distracting. This play moved Henry’s weak rule along, and it opened up the war of the roses. The audience had been given half red and half white flags to wave and cheer in support for the appropriate side. Another interesting twist was that the leading lady had a vocal problem, so she acted out her part while another actress read her lines.

This completed my CoSF visit for this year, 5 plays in 5 days. I also managed to see two Shakespeare plays that I’d never seen before. Unfortunately today I also got some floaters in my eye, and I suspect I’m going to have to go to the eye doctor when I get back. I guess falling apart just comes with getting older.
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